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Daftar koleksi Ratusan koleksi e-book Musik dengan file Audio, Gitar, Drum, Bass, Piano, keyboard, music theory Dll.

John Baldwin (born 3 January 1946), known by the stage name John Paul Jones, is an English multi-instrumentalist, songwriter, composer, arranger and record producer. Best known as the bassist, keyboardist, and co-songwriter for English rock band Led Zeppelin, Jones has since developed a solo career. A versatile musician, Jones also plays guitar, koto, lap steel guitars, mandolin, autoharp, violin, ukulele, sitar, cello, continuum and the three over-dubbed recorder parts heard on Led Zeppelin's 'Stairway to Heaven'.

At Led Zeppelin, he was responsible for the classic bass lines of the group, notably those in 'Ramble On' and 'The Lemon Song' (Led Zeppelin II), and power crunch and shifting time signatures, such as those in 'Black Dog' (Led Zeppelin IV). As Led Zeppelin's rhythm section-mate with drummer John Bonham, Jones shared an appreciation for funk and soul rhythmic grooves which strengthened and enhanced their musical affinity. In an interview he gave to Global Bass magazine, Jones remarked on this common musical interest. 'Yeah, we were both huge Motown and Stax fans and general soul music fans, James Brown fan. Which is one of the reasons why I've always said that Zeppelin was one of the few bands to 'swing'. We actually had a groove in those days.

People used to come to our shows and dance, which was great. Autodesk Flame 2013 Keygen. To see all the women dancing, it was really brilliant. You didn't necessarily see that at a Black Sabbath show or whatever: So we were different in that way.

We were a groovy band. We used all our black pop music influences as a key to the rock that went over the top. Mouzon, of African-American, French and Blackfoot descent, was born on November 21, 1948 in Charleston, South Carolina.

He received his first musical training at Bonds-Wilson High School and moved to New York City upon graduation. He studied drama and music at the City College of New York as well as medicine at Manhattan Medical School. He continued receiving drum lessons from Bobby Thomas, the drummer for jazz pianist Billy Taylor.

He played percussion in the Broadway show 'Promises, Promises', he then worked with pianist McCoy Tyner. He spent a year as a member of the jazz fusion band, Weather Report.

After that Mouzon signed as a solo artist to the Blue Note label in 1972. This is a great collection sampler by Blue Note, issued in the early '90s on CD highlighting their deep and funky soul-jazz titles for the beat heads and emergent hip-hop nation that was sampling in earnest at the time.

In any case, this attractively priced sampler of BN acts from the '60s and '70s is all killer, no filler; it's heavy on funk and soul. Sure it's got the big B sharp players from the era, like Groove Holmes ('Down Home Funk'), Jack McDuff (the amazing 'Hunk O Funk'), Big John Patton (with a killer cover of the Meters' 'Cissy Strut'), Reuben Wilson ('Bambu') and Ronnie Foster ('Don't Know My Love'), but there's way more. Lou Donaldson and Grant Green make up the royalty for this period (the producers still hadn't realized just how happening Donald Byrd was to the emerging hip-hop generation so he's not here) and they are well represented by a few cuts each -- Donaldson's read on James Brown's 'Say It Loud (I'm Black and I'm Proud),' is a monster; and Green's take on 'Cantaloupe Woman' is simply bad ass. How To Install Itunes On Linux Mint 16 Source here. But there is some added class to this mix with Candido's smoking drum funk in 'Tic Tac Toe,' and Blue Mitchell's set-opening 'Who Dun It.'

But the big surprise comes at the very end when Bobby Hutcherson clocks it all out with his uber funky soulful read of Sly Stone's 'Family Affair,' setting the vibe just right as a cap. A couple of these Blue Note soul-jazz comps would fuel any bash, and would provide an awesome Friday night jump to Sunday afternoon cruise control and leave the listener without a care in the world. ~ Thom Jurek Includes liner notes by Dean Rudland. Personnel: Fred Jackson, Jr., Harold Vick, Jay Arnold (tenor); Eugene Wright, Morris Dow, Grant Green, Charlie Freeman (guitar); Blue Mitchell (trumpet); Freddie Roach, Earl Van Dyke, Jimmy McGriff, Jimmy Smith, Big John Patton, Baby Face Willette (organ); Clarence Johnston, Donald Bailey, Idris Muhammad, Jackie Mills, Wilbert G.T. Hogan, Ben Dixon, Sammy Creason (drums). Liner Note Author: Dean Rudland. Illustrator: Graham Marsh.

George Duke (January 12, 1946 – August 5, 2013) was an American musician, known as a keyboard pioneer, composer, singer and producer in both jazz and popular mainstream musical genres. He had worked with numerous acclaimed artists as arranger, music director, writer and co-writer, record producer and professor of music. He first made a name for himself with the album The Jean-Luc Ponty Experience with the George Duke Trio. He was known primarily for thirty-odd solo albums as well as for his collaborations with other musicians, particularly Frank Zappa.

The Jean-Luc Ponty Experience with The George Duke Trio album was recorded live in Hollywood, California in mid-September, 1969. A number of Jazz musicians were experimenting with the jazz-rock fusion that would become so popular in the 1970s, but Jean-Luc Ponty is one of the earliest to get it down on vinyl. Ponty was inspired by Miles Davis to explore this new fusion form, and is considered the first significant Jazz musician to record on the electric violin. Later, in the 1970s, he pioneered the use of 5 & 6-string violins and was the first to combine the violin with MIDI, distortion boxes, phase shifters, and wah-wah pedals. You Can't Do That on Stage Anymore, Vol. 2 is a live album by Frank Zappa.

Despite the subtitle 'The Helsinki Concert', the album is not one complete concert, but was, in fact, assembled from two (and possibly three) different concerts performed in Helsinki in 1974. The working title for this album was The Helsinki Tapes, a title more accurately reflecting the fact that the album was composed of performances from more than one show. The track listing is similar to that of Roxy & Elsewhere (1974), as are the core band personnel. The performance includes a double-speed version of 'Village of the Sun', sandwiched between a later version of 'RDNZL', the first being recorded in 1972, and 'Echidna's Arf (Of You)', and 'Montana (Whipping Floss)' — a spontaneously rewritten version of 'Montana', following an audience member's request for The Allman Brothers Band's 'Whipping Post'. The guitar solo in the One Size Fits All version of 'Inca Roads' is an edited extract of the solo presented here. Zappa has considered these performances as some of the best in his career.

This particular line-up was one of his favorites. The Band: Frank Zappa – lead guitar, vocals Napoleon Murphy Brock – saxophone, flute, vocals George Duke – keyboards, vocals Ruth Underwood – percussion Tom Fowler – bass guitar Chester Thompson – drums.

This category represents the core movement of what is called 'Progressive Metal' in the literal sense. It is a subgenre of progressive rock as much as it is a subgenre of heavy metal, and this is how its sound is defined: a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often (but not always) with odd-time signatures.

Common, but not essential to define the movement, are the frequent use of keyboards, high-pitched vocals, concept lyrical themes and tracks of longer duration. Similar to progressive rock, progressive metal draws influences from other genres, such as jazz/fusion, ethnic, classical and symphonic music. Songs from the Mirror (1993) is the third solo album by Scottish singer Fish. It does not contain any original Fish material; instead it is a cover album featuring Fish's versions of songs by artists who inspired him before his career started. The choice of songs by Pink Floyd, Genesis, David Bowie, The Moody Blues and others, all originally from a period between 1970 and 1976, reflects Fish's taste in music when he was 12 to 18 years old.

The title is a reference to the time when he would impersonate his teenage idols in front of a mirror. Fish's idea to make a cover album dates back to the late Marillion period, but had been rejected by the band. Let's Boogaloo is a wonderful series of five volumes that brings together the best funk, latin soul, dancefloor dancing among other pearls.

The first compilation was launched in 2004 by the label Record Kicks and presents several masters funks, with a devastating sequence from start to finish, highly hot, danceable and explosive, remebering some 70's Grooves with Hammonds, Sax and Guitars. The fifth and most recent edition contains a selection from the 'Jazzman Gerald'.

It's funk, soul, R & B, Jazz and latin music from of all over the world. These albuns are for those that loves to dance with a very good music.